Vorspiel (prélude, ouverture...) - Emmanuel Eggermont

A research space ... of research about space, into the “textures” of space. Other than exploring atmospheres, Emmanuel Eggermont looks into the architecture (of the room, of dramatic art, of the body). 

Choreography : Emmanuel Eggermont

Performance : Jihyé Jung et Emmanuel Eggermont

Musical guest : Mathieu Jedrazak

Scenography : Emmanuel Eggermont

Musical assistant : Mathieu Jedrazak

Research participants : Samuel Rotsztejn, Germain Pluvinage, Samuel Rotsztejn, Justine Charlet, Segolène Brutin

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Übernatürliche Pizza - Natacha Nicora & Maxime Bodson

What could dance and pizza possibly have in common? One question, ridiculous at first sight, which the duo answers “on a flour-sprinkled stage”. A quirky theatre piece, spoken and danced, musical and visual at the same time. When the absurd tickles the poetic… 

Creation and performance : Maxime Bodson et Maria Natacha Nicora

Creation - lights : Thomas Beni

Concept, direction and performance : Maria Natacha Nicora

Thanks to : Luca Scarlini, Maria Clara Villa Lobos, Ana Stegnar, Marie Henry and Anne Thuot for their artistic input.

With help from la Fédération Wallonie-Bruxelles – Commission de la Danse, Grand Studio and L’L.

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Will-o'-the-wisp - Kevin Trappeniers

By working on one space, senses and bodies, “the desire to put subconscious behaviour, the eccentricities dictated by sexual/physical desire and the ‘stubborn diktats’ of the mind at stake”.

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Bristophone - Brice Catherin

« Bristophone » (an acronym of Brice and Christophe): “an octopus-like and marvellous mega instrument that smacks of an installation, stage design even, while being perfectly functional at the same time”… That’s what you can expect to see… and hear! 

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Note sur la mélodie des choses - Coline Struyf

Reading of an as yet unfinished script about a unifying character who, from within his four walls, never ceases to reinvent the world (or save it). A kind of “knight, pathetic and miserable”, on the brink of insanity…

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T-Wall - Emmanuel Eggermont

Creating areas of tension in a scenographic space (in the image of Stalker by Andrei Tarkovski, the 38^th parallel demarcating North and South Korea and other border conflicts). An ongoing study with a poetic and a hypnotic slant.

Choreography : Emmanuel Eggermont

Performance : Oscar Lozano, Ji-hyé Jung, Emmanuel Eggermont

Scenography : Emmanuel Eggermont

Photography : Ji-hyé Jung

Lights : Paul Zandbelt

Production : L’Anthracite (Lille).

Coproduction : Le Centre National de la Danse (Pantin), le Vivat Scène Conventionnée (Armentières), Le Théâtre de Vanves, le Théâtre d’Arras and with production help from Arcadi. With help from Ministère de la Culture et de la Communication and Le Conseil Régional Nord-Pas-de-Calais.

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(sans titre) - Michaël Allibert

The turmoil of the flesh. A clear talk on tartiness. Or on how to sell yourself on stage, while raising your left forefinger to (systemic) dishonourable behaviour and lies…

Conception et performance : Michaël Allibert

Artistic assistant : Sandra Rivière

Music : Xiu Xiu, A Wake A Week

Costume & mask : Trucmuche Compagnie

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